• Remembering Joe Wai

    Remembering Joe Wai

    In commemoration of the third anniversary of Joe’s passing, we are pleased to invite you to an evening “Remembering Joe Wai,” on Thursday, January 16, 2020 from 7:00-9:00 PM at the Dr. Sun Yat-Sen Garden (Carrall Street entrance) one of Joe’s many architecture contributions to our city. Please join us as we celebrate Joe’s many “architectural interventions” which have contributed to Chinatown/Strathcona, Vancouver and Canada. This will be an informal evening showcasing Joe’s work, and this year with a particular reference to the Lore Krill Co-op, 239 East Georgia Street, which is a model of affordable housing and design in Chinatown. We will also be offering video clips of the Chinese Canadian Historical Society AGM Dinner March 2012 honouring Joe, featuring the Assaulted Fish Pan Asian Comedy Troupe http://www.assaultedfish.com/ and Prof. Jan Walls’ clapper tale salute to Joe.

    Please pass on this invitation directly to others who you think would like to attend this special gathering. We are very appreciative to the Dr. Sun Yat-Sen Garden for hosting the evening and providing light refreshments in collaboration with the Chinese Canadian Historical Society of BC.. If you have any questions, please contact Helen Lee hleeliu.ca@gmail.com or Hayne Wai Hayne@revamped.ca .Please note that there is a Vancouver Canucks home game that evening which will impact parking.

    Time: 7:00-9:00 PM Thursday, January 16, 2020

    Place: Dr. Sun Yat-Sen Garden

    Courtesy to AIBC

  • Glitter Technics interdisciplinary presentation

    Glitter Technics interdisciplinary presentation

    Glitter Technics is a sparkling night showcasing the work of emerging multidisciplinary LGBTQ2SI+ artists from a 13-week experiential creative empowerment workshop led by Mutya Macatumpag at the Pride in Arts Society’s SUM Gallery. Mediums that glitter at our December 4th gallery show include visual art, installation, movement performance, music, poetry, light/shadow art, video , silkscreen prints, and a zine. It’s going to be a magical potion of glittering identities. Who are you? Thank you. 

    Featuring participation from Zainab Alwarid, Red Fawkes, Jackson Tse, Laura Fukumoto, Emily Tsang, Shahdi, Hampton G, Thuja Quickstad, Sasha Cerino, and Mutya Macatumpag.

    December 4th — Doors at 6:30 pm @ Sum Gallery

  • World Traditional Performing Arts Festival

    World Traditional Performing Arts Festival

    World Traditional Performing Arts Festival, which celebrates its 3rd time this year, is performing various ethnic performing arts including Korean traditional arts, the First Nations performing group, Taiwanese Dance and Indonesian Dance. Communicating and understanding other cultures through sharing and experiencing each other’s unique culture is the purpose of this event. 

    This year’s event will be hosted by Korean Traditional Performing Art team ‘Namsadang Cultural Institute’ and SFU Korean Performing Arts Club ‘Tarock’, like as last year.Club ‘Tarock’ is Union club of University Students who want to learn and enjoy Korean Traditional Arts.

    This year’s event will present 4 kinds of different ethnic group’s performance with 7 performing teams.

    Date:
    Saturday ,  Nov 23, 2019   6:00 PM – 8:00PM 

    Venue:
    Leslie & Gordon Diamond Family Auditorium
    (8888 University High St, Burnaby, BC)

  • A BANQUET OF STORIES: Sharing Migration Stories Through Food

    A BANQUET OF STORIES: Sharing Migration Stories Through Food

    Celebrate Strathcona’s multicultural past and present through storytelling and food. Pacific Canada Heritage Centre Museum of Migration Society hosts an afternoon of diverse communities sharing family dishes and the migration stories they hold. Yes, there will be food sampling!

    In this “round-robin” style storytelling event, you will hear diverse migration stories inspired by family recipes, dishes, photographs and heirlooms related to the theme of food. Come hear and taste your way across the oceans, and share your own story of migration and settlement to this place called Canada.

    A Banquet of Stories is part of Heart of the City Festival, with sponsorship of the City of Vancouver. Videographers from event sponsor UBC Asian Canadian and Asian Migration Studies will be on-hand to document storytelling, with the goal to produce a video similar to that of the inaugural 2015 event.

    Date And Time

    Sat, 2 November 2019

    2:00 PM – 5:00 PM PDT

    Add to Calendar

    Location

    Russian Hall

    600 Campbell Avenue 

    Vancouver, BC V6A 3K1 

    View Map

  • Jim Wong-Chu Listening Event

    Jim Wong-Chu Listening Event

    Jim Wong-Chu is considered one of the first Asian-Canadian authors to give voice to Asian communities in times when support for Asian arts was difficult to obtain. He dedicated much of his time to compiling a literary anthology called Many-Mouthed Birds that showcased the richness of Asian-Canadian literature.

    The public is invited to a special listening event on Saturday, October 19 from 1 p.m. to 5 p.m. at the Motion Capture Studio (Room D1400) at Emily Carr University.

    Invited guest readers will read a selection of Wong-Chu’s poetry published in his book Chinatown Ghosts, alongside their own work. Audience and attendee participation is encouraged and scheduled readings will be followed by an open mic segment.

    Listening Event
    Emily Carr University of Art + Design
    IMS Theatre a.k.a Motion Capture Studio | Room D1400
    520E 1st Avenue, Vancouver, BC  V5T 0H2
    Saturday, October 19, 2019
    1:00PM to 5:00pm

  • KUROKO Presented by Vancouver Asian Canadian Theatre

    KUROKO Presented by Vancouver Asian Canadian Theatre

    KUROKO Presented by VANCOUVER ASIAN CANADIAN THEATRE, NOVEMBER 6 – 16, 2019

    Presented by: Vancouver Asian Canadian Theatre
    Date and Location: Nov 6-16, Historic Theatre (1895 Venables St)
    Tickets from $26 – tickets.thecultch.com OR box office – 604 251 1363

    ABOUT KUROKO

    Hiroshi has only a year left to live. During that time, he must somehow get his daughter Maya to leave her bedroom, something that hasn’t happened in over half a decade. Maya is hikikomori—an extreme recluse—who has spent the last six years in her bedroom exploring Virtual Reality. Until one day, she meets a mysterious player online who challenges her to the ultimate quest: saving her own father’s life. How? By visiting the scariest place IRL (in real life), Suicide Forest. A world premiere from Tetsuro Shigematsu, the acclaimed creator behind Empire of the Son and 1 Hour Photo, and directed by Amiel Gladstone, director and co-creator of the smash hit musical, Onegin.

    For more information please visit https://thecultch.com/events/kuroko/.

  • Allan CHO’s letter to Jim Wong-Chu

    Allan CHO’s letter to Jim Wong-Chu

    Here is a heartfelt letter written by Allan Cho, the executive director of the ACWW, to Jim Wong-Chu, at the opening of the Jim Wong-Chu exhibit at UBC on October 10, 2019.

    “Dear Jim, from Allan”

    October 10, 2019

    Dear Jim,

    It’s been almost two years now since I’ve last written to you. I think about you a lot, and verses of our conversations still replay in my head often. It’s an honour to be speaking before friends and community here at UBC.

    It’s almost serendipitous that we’re here at UBC. I met you for the first time about ten years ago here on campus at UBC in 2009. We had lunch at the UBC Pendulum cafe and you regaled me with your literary knowledge for more than an hour. The second time was with you and Winnie Cheung as the two of you planned the resurrection of explorASIAN and I saw the magic that you and Winnie had together and one of the greatest teams I’ve seen in community organizing. I’m so happy that explorASIAN is organizing today’s event and this exhibit. It’s only fitting.

    I remember as I was driving in my old banged up Hyundai accent hatchback to an explorASIAN event one time, with you in the passenger side — clutching onto a brown manila folder across your chest — you said you guarded explorASIAN and ACWW with your life. I think your quote was: “You guys can never pay me enough for the work I do. But I wouldn’t want it any other way, because then it wouldn’t be fun anymore.” I was rather touched when you said that. And I continue to follow your advice. Do what’s right and the community will be a better place for it. And don’t just do it for yourself.

    LiterASIAN just completed its festival in September, Jim. It’s been three festivals since you left us. I’ve been festival director each year, and even though each year has been a success, I still feel like a fraud without you here. Your vision has been so prophetic. We had a terrific turnout. You’ve been right since day one: if you have a good idea, people will come and follow. LiterASIAN has brought so many writers together – both established and emerging. Now, the catering wasn’t the greatest but then again food was never our specialty, and I can’t complain as I didn’t have to lug platters of BBQ pork fried rice out of your car like we did at our first LiterASIAN festival in 2013.

    When you decided to wind down Ricepaper and end the print magazine in 2016, I remember you, Jim, had all these plans for this Asian Canadian festival. I can’t say that I wasn’t skeptical. You said that all the writers festivals in Canada were too vanilla, it lacked diversity. Imagine, you said, if an entire festival could feature only Asian Canadian writers? It’ll be awesome, all the publishers, agents, and booksellers would sit up and pay attention to Asian Canadian Writers. You’re so right – over the past three years – we’ve had the likes of Madeleine Thien, Evelyn Lau, Janie Chang, Rita Wong, Catherine Hernandez, Chris Gatchalian, Philip Huynh, just to name a few. The literary community anticipates now the date of when LiterASIAN will take place.

    I think many people owe you a debt of gratitude for your trailblazing the path for Asian Canadian writers. You were the first to do many things, including the one of the first Chinese Canadian poets published by a mainstream publisher. When you began as editor of Ricepaper 25 years ago, it was literally just a newsletter manually stapled together on 8 pages of paper. You barely had enough Asian Canadian writers who you could find to submit work for one issue. But look at how far Ricepaper, and Asian Canadian writers have come. Asian Canadian writers who have appeared or edited in Ricepaper have gone on to win the Governor Generals award, Giller Prize, City of Vancouver Book Award, just to name a few.

    This year’s winner of the Jim Wong-Chu Emerging Writers Award is Jamie Liew for her manuscript Dandelion Roots. Jim, you wouldn’t believe it. But we connected her to an agent and guess who it is? It’s Denise Bukowski, who happens to be Wayson Choy’s agent. We couldn’t have scripted it any better. Denise loved Jamie’s book the moment I told her to read it. Your spirit still guides a lot of the work that ACWW does. It can’t be a coincidence.

    You know, I remember it was in Emergency ICU that I told you we changed the name of the award in honour of you. Even though you weren’t talking, I could sense from you that you were honoured. I could hear in that moment of silence that you agreed with the decision. I could sense that you agreed to seize the moment, no matter how tragic it may seem.

    You’ve always told me that you’re not necessarily the most talented writer but you’ve been doing this the longest. The only thing you’ve got that many do not is longevity — because you’ve been doing it the longest, eventually people are forced to take notice. Slow and methodical beats fast and furious any day, you say.

    Thank you Jim for bringing us together. Thank you for creating the team that you’ve left behind and taken on your work.

    Elwin has done an amazing job. He’s not only recording the entire LiterASIAN festival which we will be broadcasting online, but he’s also been webcasting events around town. I joke with him and Fannah that they have become the Yucho Chow of our generation.

    Eric Li. He’s doing well. He’s recovering from his injury. As Vice-President of ACWW, he’s guiding us with the same dedication and good humour that you’ve had during your days at the helm. Marlene was on the jury of the Emerging Writers Award. Marlene has been the guiding light for us in our times of darkness, Jim. Marlene has supported you through thick and thin, and continues to do that with us. Sean Gunn, one of the original founders of ACWW with you, is on our board now, and he’s been so wonderful telling us stories of the good old days and constantly reminding ACWW of its roots and where we came from and why we’re here. Cynda, Ada, Evelyn, Bonnie, David, Todd, Sid, Kristen, Jeannie, Vanessa, Todd.. You’ve brought us a long and now we’ve become the JWC Team as I call it.

    So Jim, even though you’ve left us, the team remains. Your gift to us is our coming together and helping each other out, and making a difference to each other and our community.

    Like I said during that car ride home when I dropped you off. You’re a part of Canadian fabric. I said don’t worry about your legacy – you’ll do fine – you’ll get into Wikipedia and your work will continue to grow. We joked about it and laughed as I dropped you home on 41st Avenue, but you know it’s true. Just look at the people here today with you. So Jim, as I finish up my letter, I just want to say I’m grateful for all that you’ve done for me, for ACWW, and for the community. Please let dad know that I’m doing fine, and if you have a chance, tell him that I miss him.

    Sincerely,

    Allan CHO

  • Facets: Jim Wong-Chu – ICONIC ASIAN CANADIAN Exhibit

    Facets: Jim Wong-Chu – ICONIC ASIAN CANADIAN Exhibit

    Image Courtesy of Emily Carr University of Art + Design in Collaboration with Marlene Enns, Jim’s wife. Design Credits to Elwin Xie.

    The Vancouver Asian Heritage Month Society has partnered with the Emily Carr University of Art + Design and the UBC Library’s Rare Books and Special Collections to organize an exhibition running from, Thursday, October 10, 2019, to Friday, November 15, 2019, showcasing the legacy of Jim Wong-Chu.

    To mark this occasion, we are selling a limited supply of  Jim’s book called, Chinatown Ghosts, at $20.00*. It’s also worth noting that Chinatown Ghosts is no longer in print circulation, so if you would like to purchase a copy beforehand, please let us know by ordering here.

    We are also collecting anecdotes in Jim’s memory, so if you would like to share one that we can use, please send it along to our Executive Director, Paula LaBrie here. Or leave your anecdote or comment below to commemorate and mark this historic occasion.

    Exhibition Details
    Thursday, October 10 to Friday, November 15, 2019
    University of British Columbia
    Irving K. Barber Learning Centre

    Listening Event
    Emily Carr University of Art + Design
    IMS Theatre a.k.a Motion Capture Studio | Room D1400
    520E 1st Avenue, Vancouver, BC  V5T 0H2
    Saturday, October 19, 2019
    1:00PM to 5:00pm

    A celebration of Jim Wong-Chu’s poetry published in his book called, Chinatown Ghosts. Featuring a line up of special guest readers (to be unveiled closer to the date) followed by an open mic segment.

    Space is limited for both events. Please RSVP here to secure your spot.

    We look forward to seeing you there!

    ***

    *100% proceeds of the sale of Jim’s books will be donated to the Vancouver Asian Heritage Month Society. Jim’s books were kindly donated by his wife, Marlene Enns. Thank you, Marlene.

    Thank you to our following partners and media sponsor!

    EXHIBITION PARTNERS

    MEDIA SPONSORS

    Rungh is a magazine, artist space, archive, and more. Rungh features work by Indigenous, Black, and People of Colour artists. Since 1992. Canadian, multidisciplinary, unique, opinionated.
  • For Immediate Release:  Jim Wong-Chu – ICONIC ASIAN CANADIAN Exhibit

    For Immediate Release: Jim Wong-Chu – ICONIC ASIAN CANADIAN Exhibit

    An exhibit that truly captures the continual impact of our Iconic Asian Canadian, Jim Wong-Chu.

    Facets:  Jim Wong-Chu, ICONIC ASIAN CANADIAN

    VANCOUVER (BC) – The Vancouver Asian Heritage Month Society (“VAHMS”) has partnered with the Emily Carr University of Art + Design and the UBC Library’s Rare Books and Special Collections to organize an exhibition showcasing the legacy of Jim Wong-Chu.

    Jim Wong -Chu (January 28, 1949 – July-11, 2017) was a well-known Asian-Canadian historian, editor, author, and poet. Born in Hong Kong, Jim Wong-Chu came to Canada in 1953. He attended the Vancouver School of Art (now Emily Carr University of Art + Design) from 1975 to 1981, majoring in photography and design. From 1976 to 1981, while working at the Vancouver School of Art, Jim Wong-Chu became involved with Vancouver Co-op Radio on the Pender Guy Radio Program, focusing on culture and integration.

    Jim is considered one of the first Asian-Canadian authors to give voice to Asian communities in times when support for Asian arts was difficult to obtain. He dedicated much of his time to compiling a literary anthology called Many-Mouthed Birds that showcased the richness of Asian-Canadian literature.

    During 1995 and 1996 Jim Wong-Chu cofounded the Asian Canadian Performing Arts Resource (“ACPAR”) and became one of the founders of the Asian Canadian Writers’ Workshop (“ACWW”), where he helped many young Asian-Canadian writers to succeed by editing and finding publishers for their works.

    In 1996, Jim Wong-Chu also founded the Vancouver Asian Heritage Month Society, along with Mishtu Banerjee, Mo-Ling Chui, Grace Eiko Thomson, and Winston Xin. This organization explores the diversity of Asian-Canadian life and culture, promoting the discussion of relevant issues and concerns both within and beyond the Asian-Canadian communities.

    Past President of the Vancouver Asian Heritage Month Society, Beverly Nann shared that she came to know Jim through a dance production called Cha. This was brought to her attention by her daughter, Andrea, one of four Asian-Canadian dancers involved in the creation and performance of Cha in Toronto.

    “My background is in social work, not the field of dance, so I reached out to Jim for his assistance and that is where our collaboration and friendship began,” said Beverly. “Jim generously offered his support in bringing Cha to Vancouver as part of the Asian Heritage Month celebrations happening across Canada,” she added.

    “After the successful performance, Jim informed me that he was ready to ‘throw in the towel’ in producing the Asian Heritage Month, as he was the last of the original five founders left to carry on. So I said to Jim, ‘this is too good of an idea to let it die, let me see what I can do to help you.’ From there, Jim and I embarked on the task of building a board of directors with myself as president and Jim as vice president in charge of Grants and Programming,” said Beverly. “This is how the Vancouver Asian Heritage Month Society, as a Society, was established,” she continued.

    Ms. Nann concluded by saying, “Since then, VAHMS has based its mission on social advocacy and integration to support Pan-Asian and Asian-Canadian Arts, Cultures, and Communities. Jim Wong-Chu’s vision was fundamental to explorASIAN Festival’s success!”

    Learn more about the exhibit here:  https://explorasian.ca/2019/09/13/jim-wong-chu-iconic-asian-canadian/

    Learn more about the Vancouver Asian Heritage Month Society here:  https://explorasian.ca/about-us/media/

    -30-

    Written and Curated by Jennifer Dickieson, co-curated by Leticia Sanchez, VAHMS President.

    Media Contacts:
    Valentine Ostaszewski
    Vancouver Asian Heritage Month Society:  communications.vahms@gmail.com

    For more information contact:
    office.vahms@gmail.com

    The Vancouver Asian Heritage Month Society’s vision is to build a community where Asian arts, cultures and contributions are lived, shared and celebrated as part of the harmonious diversity of Canada.

  • Facets: Jim Wong-Chu – ICONIC ASIAN CANADIAN Exhibit

    Facets: Jim Wong-Chu – ICONIC ASIAN CANADIAN Exhibit

    Image Courtesy of Emily Carr University of Art + Design in Collaboration with Marlene Enns, Jim’s wife. Design Credits to Elwin Xie.


    The Vancouver Asian Heritage Month Society has partnered with the Emily Carr University of Art + Design and the UBC Library’s Rare Books and Special Collections to organize an exhibition running from, Thursday, October 10, 2019, to Friday, November 15, 2019, showcasing the legacy of Jim Wong-Chu.

    To mark this occasion, we are selling a limited supply of  Jim’s book called, Chinatown Ghosts, at $20.00*. It’s also worth noting that Chinatown Ghosts is no longer in print circulation, so if you would like to purchase a copy beforehand, please let us know by ordering here.

    We are also collecting anecdotes in Jim’s memory, so if you would like to share one that we can use, please send it along to our Executive Director, Paula LaBrie here. Or leave your anecdote or comment below to commemorate and mark this historic occasion.

    Exhibition Details
    Thursday, October 10 to Friday, November 15, 2019
    University of British Columbia
    Irving K. Barber Learning Centre

    Listening Event
    Emily Carr University of Art + Design
    IMS Theatre a.k.a Motion Capture Studio | Room D1400
    520E 1st Avenue, Vancouver, BC  V5T 0H2
    Saturday, October 19, 2019
    1:00PM to 5:00pm

    A celebration of Jim Wong-Chu’s poetry published in his book called, Chinatown Ghosts. Featuring a line up of special guest readers (to be unveiled closer to the date) followed by an open mic segment.

    Space is limited for both events. Please RSVP here to secure your spot.

    We look forward to seeing you there!

    ***

    *100% proceeds of the sale of Jim’s books will be donated to the Vancouver Asian Heritage Month Society. Jim’s books were kindly donated by his wife, Marlene Enns. Thank you, Marlene.

    Thank you to our following partners and media sponsor!

    EXHIBITION PARTNERS

    MEDIA SPONSORS

    Rungh is a magazine, artist space, archive, and more. Rungh features work by Indigenous, Black, and People of Colour artists. Since 1992. Canadian, multidisciplinary, unique, opinionated.